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After years of crummy re-issues from video companies, Invasion USA finally receives the respect it deserves with a magnificent original DVD “Atomic” edition from Synapse Films and Conelrad (a website devoted to Atomic Culture that, apparently, helped with the special features) .
The movie itself is a laugh riot and the print is extraordinary (finally I can freezeframe the huge Gerald Mohr with crystal clarity), but it is the special features that compose this disc a must select.
Where else is one going to catch the following on fair one DVD: Civil Defense (Apprehension) Report albums playing as an alternate audio track. This is a nice alternative to self-absorbed actors and directors talking about their current shots in a film or what lunch they had on any given day of shooting. The classic 1962 Jack Webb short “Red Nightmare” (in a titanic unusual print) . The Conelrad 100 (a play on the AFI 100? ), an “encyclopedia” of the best “Atomic” Films ever made. This is a colossal feature and humorously written. If you’re like me, you’ll fetch yourself reading all 100! Cast interviews with the surviving stars of the film: While this part is a diminutive rough around the edges, you have to adore the dedication of the producers to round of these aging actors tfor one last comment on Invasion USA. Noel Neill is hilarious (she snipes at the other Lois Lane and compares Invasion USA to Pearl Harbor–the movie!) . Dan O’Herlihy is also a riot reading a Current York Times pan of Invasion USA that gets his name misspelled!) .
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All in all a grand package. If you are the least bit iterested in campy films or the Chilly War, you MUST contain this DVD!
Invasion USA is essentially the grand-daddy of all nuclear war movies, a worthy film released in 1953 that almost certainly proved gross to movie audiences of that era. Nowadays, the film exudes an aura of campiness and, depending on one’s political viewpoint, draws either laughs or respect (and sometimes both) . Invasion USA is definitely a Wintry Warriors movie, an unforgettable share of cinematic propaganda that turned its spotlights clearly on the threat of the Red menace. Making liberal spend of stock footage from World War II, this movie not only offers a vision of Communist invasion but explains why such an invasion might succeed, thus rallying the American people not to retreat into post-war isolationism and materialism. The notice of freedom is eternal vigilance, and this is the message Invasion USA conveyed rather impressively.
I happen to mediate this movie is smart. I was born in 1970, and I knew the horror of nuclear war as a child. For those living in the 1950s, the fright of nuclear was an even more pervasive threat - as was Communism. I peaceful abominate Communism with every fiber of my being, and for me personally the Frosty War will not extinguish until the number of Communists in the world falls all the intention to zero. The generation coming of age today does not truly know the gnawingly pervasive threat of intercontinental nuclear war nor do today’s youth remember a world in which the USSR not only existed but cast dusky shadows across many parts of the world. To many today, the Red Apprehension conjures up droll images of a fanatical Joseph McCarthy and the John Birch Society looking for Communists under rocks and park benches. Invasion USA will thus strike many viewers today as rather humorous, but I regard this as, to some degree, an educational film that offers an insightful eye into the American mind of the 1950s. Certainly, the characters are rather two-dimensional, the dialogue is unintentionally amusing on several occasions, and the ending is likely to form a few groans among new audiences, but the film’s theme and message is not only historically informative but tranquil, in the broadest sense, relevant and instructive.
The setup and “kicker” site twist at the extinguish may well leave one with a terrible taste in his/her mouth initially, but Invasion USA is smooth friendly of resonating over time in the minds of those who notice it. It is really an novel film in more ways than one. Not only does it offer a hideous vision of America subjugated by an unnamed yet ruthless and easily identifiable enemy, it assigns the blame for this possible future defeat on a populace of men and women too concerned with their contain lives and desires to seek out for the interests of the nation. One of the characters in the film, for example, is a wealthy tractor manufacturer who fair turned down a government demand to execute needed military tanks, putting profit above patriotism. Complacency and the voluntary wearing of blinders among a population sick of world wars is shown to be the weakest link in America’s contemporary defense. Everybody complains about taxes, concentrates solely on their contain needs, and goes about his/her life pretending that America could never possibly be attacked - script writer Robert Smith clearly communicated the hazardous vulnerability implicit in such a worldview. Invasion USA is a clarion call to a prosperous people courting distress by avoiding a homely truth. The film was amazingly effective in delivering this crucial and timely warning to its audience. The same message applies in our contain world; while the threat comes from a different source, only a vigilant and cooperative attitude among the American people can safeguard our freedoms from those who wish to end us.
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Clearly, Invasion USA was a success, one which soon led to similar films built around the horrifying threat of nuclear war. The movie earned more than one million dollars - not too shabby for a film shot in the course of only seven days on a budget of one hundred twenty seven thousand dollars. Stock footage from World War II makes up some 30% of the film. Fictional news broadcasts explaining the progress (or, more correctly, lack of progress) in the war leave room for only so powerful sincere human interaction and dialogue - this is perhaps fortunate, as the characters are less than tantalizing in and of themselves. Quiet, there is enough of a personal dimension to the tragedy unleashed on film to really bring Invasion USA’s message across to the sympathetic viewer. It’s impossible not to laugh at parts of this movie all these decades later, but there is an eternally important message - exaggerated as it may be - here that all freedom-loving men and women would do well to ponder over.
